![]() And on a page-by-page level, the entirety of the manuscript should be arranged with a clear and logical progression that leads the reader naturally from the beginning to the end. If the manuscript is a creative work, it will need a compelling beginning and a strong ending. If you're writing a scholarly submission, you'll need a proper introduction and conclusion. Make revisions as necessary to satisfy these and any other points of concern within the manuscript.Are there enough sensory details in the manuscript? Does the narrative come to life and draw you in?. ![]() For nonfiction works, are you presenting each individual fairly and honestly?.Are your characters realistic and believable? Are they interesting and complex, or do they fall flat and two-dimensional? X Research source.Does everything in the manuscript make sense? Is everything consistent from start to finish? If you have a thesis or central argument, is it complete and sufficiently supported?.Are there any conclusions your writing jumps to that may not make sense to a reader?.Is there anything about the actual content that is not working? For fiction, are there any plot holes or places where the narrative falls apart? For creative nonfiction (memoir, essay collection, reportage), are there any gaps in your work where perhaps something that made sense to you may not make sense to an outside reader? For a scholarly manuscript, does the research clearly support your conclusions? X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source Go back through the manuscript with a fine-toothed comb. What were the strong/compelling/interesting parts of the manuscript? Mark those so you know what you're most reluctant to cut.Were there any parts of the manuscript that feel incomplete or confusing? Make note of those sections, but don't worry about revising them yet.Try to get through the entire manuscript in no more than three or four readings so that you can take in the piece as a complete work. Think of yourself as an outside reader.Aim to simply get an overall impression of the work as a whole.Simply make notes in the margins when you find a section that is confusing or poorly written so that you know where to focus your attention when you return to the manuscript. Don't make any changes to the manuscript while you're reading through it - you're still in the preparation stage. Before you actually get down to editing the manuscript, you may find it helpful to read through it once as though you were a reader picking up a printed book.
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